{"id":3867,"date":"2020-12-04T13:26:07","date_gmt":"2020-12-04T12:26:07","guid":{"rendered":"https:\/\/intunis.net\/?p=3867"},"modified":"2020-12-04T13:30:17","modified_gmt":"2020-12-04T12:30:17","slug":"malek-gnaoui","status":"publish","type":"post","link":"https:\/\/2021.intunis.net\/ar\/malek-gnaoui\/","title":{"rendered":"Malek Gnaoui"},"content":{"rendered":"<div style=\"text-align:center\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"432\" src=\"https:\/\/2021.intunis.net\/wp-content\/uploads\/2020\/12\/1-malek-gnaoui-travaille-1200-inkyfada-768x432.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Malek Gnaoui\" title=\"Malek Gnaoui\" srcset=\"https:\/\/2021.intunis.net\/wp-content\/uploads\/2020\/12\/1-malek-gnaoui-travaille-1200-inkyfada-768x432.jpg 768w, https:\/\/2021.intunis.net\/wp-content\/uploads\/2020\/12\/1-malek-gnaoui-travaille-1200-inkyfada-1160x653.jpg 1160w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/div><p>Malek Gnaoui is a contemporary artist from Tunisia.<\/p>\n<p>\u201cThe work of Malek Gnaoui engages issues around social conditions and the notion of human sacrifice. Working across video, ceramics, printmaking, installation, sound and performance, his approach towards materiality enables him to develop an alternative practice that combines everyday materials with traditional techniques. He grinds bricks into powder which becomes lithography pigment, and introduces powdered brick to clay to produce sculptures with a specific quality that references everyday materials. The physical involvement of production allows a performative aspect to emerge.\u201d<br \/>\n<a href=\"https:\/\/www.selmaferiani.com\/artists\/37-malek-gnaoui\/biography\/\" rel=\"noopener noreferrer\" target=\"_blank\">URL<\/a>: >> Dec 4, 2020.<\/p>\n<p>SELECTED SOLO EXHIBITIONS<\/p>\n<p>2020 | Sidi Bou Said.tn | Selma Feriani Gallery | Essai\u0308da-Carthage: Between the past and the Future | Curated by Matthieu Lelie\u0300vre<br \/>\n2015 | Sidi Bou Said.tn | Selma Feriani Gallery | Fabrica 0464<br \/>\n2014 | London.uk | Selma Feriani Gallery | Abattoir<br \/>\n2014 | Paris.fr | Talmart Gallery | Abattoir<br \/>\n2008 | Tunis.tn | Yahia Gallery | Gnaoui 2008 <\/p>\n<p>SELECTED COLLECTIVE  EXHIBITIONS<\/p>\n<p>2019 | Marrakesh.Morocco | MACAAL | Material insanity<br \/>\n2019 | Sidi Bou Said.tn | Selma Feriani Gallery |  Sculptures<br \/>\n2017 | London.uk | Shubbak Festival<br \/>\n2016 | Casablanca. Morocco | Masnaa<br \/>\n2015 | Paris.fr | Talmart Gallery | Politics II<\/p>\n<p>FORMATION<\/p>\n<p>Tunis.tn | L\u2019Ecole d\u2019Art et de De\u0301coration | Diploma<br \/>\nTunis.tn | National Ceramic Centre of Sidi Kacem Je\u0301lizi | Diploma<\/p>\n<p>BIO<\/p>\n<p>Lives and works in Tunis.tn<br \/>\n1983 | Born in Gabes.tn  <\/p>\n<p>LINKS<\/p>\n<p><a href=\"https:\/\/www.selmaferiani.com\/artists\/37-malek-gnaoui\/biography\/\" rel=\"noopener noreferrer\" target=\"_blank\">Biography<\/a><br \/>\n<a href=\"https:\/\/www.selmaferiani.com\/usr\/library\/documents\/main\/artists\/37\/malek-gnaoui-cv-.pdf\" rel=\"noopener noreferrer\" target=\"_blank\">CV<\/a><br \/>\n<a href=\"https:\/\/www.artsy.net\/show\/selma-feriani-gallery-essaida-carthage-between-the-past-and-the-future?sort=partner_show_position\" rel=\"noopener noreferrer\" target=\"_blank\">Essa\u00efda-Carthage: Between the Past and the Future<\/a><\/p>\n<p><a href=\"https:\/\/inkyfada.com\/fr\/2015\/05\/28\/malek-gnaoui-etonnant-ceramiste-fabrica-0464-tunisie\/\" rel=\"noopener noreferrer\" target=\"_blank\">PHOTO<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Malek Gnaoui is a contemporary artist from Tunisia. \u201cThe work of Malek Gnaoui engages issues around social conditions and the notion of human sacrifice. Working across video, ceramics, printmaking, installation, sound and performance, his approach towards materiality enables him to develop an alternative practice that combines everyday materials with traditional techniques. He grinds bricks into [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":3871,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"yes","fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[50],"tags":[],"class_list":["post-3867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2020-2021-ymp-masters"],"_links":{"self":[{"href":"https:\/\/2021.intunis.net\/ar\/wp-json\/wp\/v2\/posts\/3867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2021.intunis.net\/ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2021.intunis.net\/ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2021.intunis.net\/ar\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/2021.intunis.net\/ar\/wp-json\/wp\/v2\/comments?post=3867"}],"version-history":[{"count":5,"href":"https:\/\/2021.intunis.net\/ar\/wp-json\/wp\/v2\/posts\/3867\/revisions"}],"predecessor-version":[{"id":3877,"href":"https:\/\/2021.intunis.net\/ar\/wp-json\/wp\/v2\/posts\/3867\/revisions\/3877"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2021.intunis.net\/ar\/wp-json\/wp\/v2\/media\/3871"}],"wp:attachment":[{"href":"https:\/\/2021.intunis.net\/ar\/wp-json\/wp\/v2\/media?parent=3867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2021.intunis.net\/ar\/wp-json\/wp\/v2\/categories?post=3867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2021.intunis.net\/ar\/wp-json\/wp\/v2\/tags?post=3867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}