{"id":3863,"date":"2020-12-04T13:20:13","date_gmt":"2020-12-04T12:20:13","guid":{"rendered":"https:\/\/intunis.net\/?p=3863"},"modified":"2020-12-23T19:02:06","modified_gmt":"2020-12-23T18:02:06","slug":"mouna-jemal-siala","status":"publish","type":"post","link":"https:\/\/2021.intunis.net\/fr\/mouna-jemal-siala\/","title":{"rendered":"Mouna Jemal Siala"},"content":{"rendered":"<p>Mouna Jemal Siala is a visual artist.<\/p>\n<p>\u00ab\u00a0It is important to constitute a genuine, sensitive and authentic contemporary art scene! This scene will showcase our culture and its value. Whether it\u2019s architectural, artistic or in design, it is the medium through which we get to convey our culture. That\u2019s why we need to encourage and support young artists\u2019 initiatives and to walk them through the process of creation; to help them give life to their ideas. Evidently, through their fresh outlook and amazing creativity, they can surprise us and take us aboard their journey of dreams.\u00a0\u00bb<\/p>\n<p>ARTFORMS<\/p>\n<p>Photography , installation, interventions, video, photomontage<\/p>\n<p>MATERIALS \/ MEDIA<\/p>\n<p>papers, wire, roasting, screen, light, mixed media <\/p>\n<p>GUIDING INTERESTS<\/p>\n<p>Her photomontages reduce different forms often linked to the positions of her three children. It covers her life experience since she gave birth to triplets but also her woman\u2019s body and events in her country are the main vectors of her work.<\/p>\n<p>EXHIBITION SELECTION<\/p>\n<p>2019 | Rabat.ma | 1\u00e8re Biennale de Rabat | Ulysse de la Hafsia<br \/>\n2019 | Djerba.tn | SEE DJERBA | Les aires bleues<br \/>\n2019 | Bardo.tn | Mus\u00e9e National du Bardo | V\u00e9nus de la Hafsia<br \/>\n2017 | Tunis.tn | Ghaya Gallery | Detail Exhibition<br \/>\n2017 | Casablanca.ma | Slaoui Foundation Museum | TRIBUTE TO MY PARENTS<br \/>\n2016 | London.uk | Tunisian Embassy | THE NEW PICTURE<br \/>\n2016 | Dakar.se | Dak\u2019art Biennale | WHEN SPACE SPEAK OF TIME<br \/>\n2016 | Tunis.tn | French Embassy | REFLEXION<br \/>\n2016 | Marrakech.ma | Marrakech Biennale | THE SON<br \/>\nSince 2008 | several participations in international exhibitions<\/p>\n<p>FORMATION<\/p>\n<p>Paris.fr | Pantheon-Sorbonne University | PhD Thesis in Arts and Arts\u2019 Sciences<br \/>\nTechnological Institute of Art | Visual Arts | MA<\/p>\n<p>BIO<\/p>\n<p>lives and works in Tunis.tn<br \/>\n1973 | Born in Paris.fr <\/p>\n<p>LINKS<\/p>\n<p><a href=\"http:\/\/mounajemal.tn\">Website<\/a><br \/>\n<a href=\"http:\/\/tasawar.net\/nja-mahdaoui\/\">Tasawar Profile<\/a><\/p>\n<p>PHOTO<\/p>\n<p>Artists Website<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mouna Jemal Siala is a visual artist. \u00ab\u00a0It is important to constitute a genuine, sensitive and authentic contemporary art scene! This scene will showcase our culture and its value. Whether it\u2019s architectural, artistic or in design, it is the medium through which we get to convey our culture. That\u2019s why we need to encourage and [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":3869,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"yes","fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[50],"tags":[],"class_list":["post-3863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2020-2021-ymp-masters"],"_links":{"self":[{"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/posts\/3863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/comments?post=3863"}],"version-history":[{"count":7,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/posts\/3863\/revisions"}],"predecessor-version":[{"id":4207,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/posts\/3863\/revisions\/4207"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/media\/3869"}],"wp:attachment":[{"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/media?parent=3863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/categories?post=3863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/tags?post=3863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}