Bettina Pelz is artistic director of INTERFERENCE Tunis in tandem with Aymen Gharbi.<\/p>\n
\nCURATORIAL STATEMENT<\/p>\n
Curatorial action is proactive. In research, production and discourse, a curator engenders a multitude of processes, all of which are characterized by an ongoing alteration of perspective. These processes are shaped by the continuous oscillation between referencing, reviewing, and reflecting: initiating, developing, positioning, producing, discussing, documenting are part of curatorial acting. The nucleus of a curatorial position is formed in the way of how these diverse stress fields are handled.<\/p>\n
Working with a cynosure to light in fine arts, light itself proves to be a good mentor: Light is an effective force that manifests itself in dialogue with the world as an influence without appearing itself in the visual sphere. It is the nature of light to behave like a particle and a wave depending on the environment. Light can be material and medium, sometimes even at the same time. There is a multitude of spectrums of light that produce very different qualities. The range of the spectrum directs the design and shapes the qualities of a manifestation. The curatorial perspective focusing on light deepens scientific and technical knowledge of light, it adds to the research on light as the primordial medium of visual art, and it provides models and metaphors for relation and interaction driven curatorial action.<\/p>\n
CURATORIAL PRACTICE<\/p>\n
Over the last twenty years, the curatorial acting of Bettina Pelz is dedicated to art-in-context projects. Her transdisciplinary projects are hosted at art institutions and in public space, in postindustrial ensembles and cultural heritage environments. She has been the founding curators of several sustainable art projects in Europe and Africa. Internationally she has been involved in projects in Belgium, Egypt, Estonia, Finland, France, Italy, Mali, Mexico, The Netherlands, North-Macedonia, Poland, Portugal, Russia, Senegal, Serbia, Singapore, Slovenia, South-Africa, Switzerland and Tunisia. In tandem with Aymen Gharbi, she directs INTERFERENCE Tunis.tn and SEE DJERBA Houmt Souk.tn since 2016.<\/p>\n
CURATORIAL STUDIES<\/p>\n
Since 2019, she directs the TASAWAR Curatorial Studios<\/a>, a post-graduate study program on art-in-context on Tunisia, North-Africa and beyond.<\/p>\n EXHIBITIONS<\/p>\n 2020 | Ingolstadt.de, FLUX LICHTWERKE PROFESSIONAL PRACTICE<\/p>\n Since 1996 | Wetter\/Ruhr.de | Studio Bettina Pelz FORMATION<\/p>\n 1985 – 1988 | Muenster.de | Studies of Philosophie and Social-Pedagogics, Degree: Diplom<\/p>\n BIO<\/p>\n Since 1988 | Ruhr District.de | Home LINKS<\/p>\n bettinapelz.de<\/a> PHOTO<\/p>\n Malika Hagemann<\/p>\n","protected":false},"excerpt":{"rendered":" Bettina Pelz is artistic director of INTERFERENCE Tunis in tandem with Aymen Gharbi.<\/p>\n","protected":false},"author":1,"featured_media":504,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"yes","footnotes":""},"categories":[53,46,34,48],"tags":[],"class_list":["post-807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dy-team","category-ed-team","category-interference-community","category-ymp-team"],"_links":{"self":[{"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/posts\/807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/comments?post=807"}],"version-history":[{"count":0,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/posts\/807\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/media\/504"}],"wp:attachment":[{"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/media?parent=807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/categories?post=807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2021.intunis.net\/fr\/wp-json\/wp\/v2\/tags?post=807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n2019 | Houmt Souk.tn, SEE DJERBA International Media Biennial
\n2019 | S\u00e9gou.ml, SEGOU YELEN International Light Art Project
\n2018 | Luedenscheid, LICHTROUTEN International Light Art Project
\n2018 | Tunis.tn, INTERFERENCE International Light Art Project
\n2018 | Cologne.de, COLLUMINA International Light Art Project
\n2017 | Halifax.ca, RESPONSIVE International Light Art Project
\nMORE<\/a><\/p>\n
\n1993 – 1996 | Hagen.de | Sociocultural Center | Artistic Director
\n1989 – 1993 | Ahlen.de | Sociocultural Center | Artistic Director<\/p>\n
\n1963 | Born in the \u00ab\u00a0M\u00fcnsterland\u00a0\u00bb.de<\/p>\n
\narsphotonica.net<\/a><\/p>\n